STRUCTURAL VARIATION GRIDS
Historical Context
Many years ago I experienced a
lesson given by Laurinda Brown based on the function game (Banwell et
al 1972, see also Rubenstein 2002). It was conducted entirely in
silence to great effect. Participants were invited to conjecture the
result of applying an unknown function to different inputs, based on
examples provided by her at the beginning. Everything was done in
silence, with sad or happy faces drawn according to whether the keeper
of the rule agreed or disagreed with the conjecture. The one rule
was that no-one was allowed to say what they thought the rule was.
Those who thought they knew ‘the rule’ were encouraged to
offer examples which would help others come to the same conjecture, and
also to try to test and challenge their conjecture. Apart from the
silence, the format has strong resonances with the game Eleusis
described by Martin Gardner (1977; 2001 p504–512). Gardner
observes that the rules provide an analogy with science, because
nature never tells you whether your conjectured rule is correct.
I was stimulated to look for the first opportunity to try working
in silence and it came in a lecture to 300 Open University students, in
which I presented the first few terms of a sequence:
2 + 2 = 2 x 2
.
I paused at each equal sign, and at the end of each equation, in
order to show that I was doing the calculations myself. I have
since done this with thousands of people over many years. Each
time, no matter who the people are, everyone seems to know what the
next term will be even if they struggle with the arithmetic to check
the validity of their conjecture. I have used many sequences like this,
getting participants to re-present the first term in the format of the
others, to go backwards into the negatives (starting with 0, then -1,
-2, …), to use not just whole numbers but rationals (starting
with ½ or ¾), irrationals (starting with or )
and beyond, according to the sophistication of the audience. The main
thrust is towards expressing the general equation, and then justifying
it using algebra. Sequences like this can be used to provoke
learners into wanting a way to manipulate generalities (letters), as
well as a providing a source for appropriate rules for that
manipulation: the rules of algebra as generalizations of the rules of
arithmetic. This contrasts with algebra presented simply as rules
for ‘alphabet arithmetic’.
In 1998 I was asked by some teachers in Tunja Colombia to suggest how
to work with learners on factoring when they did not have facility with
or even belief that (-1) x (-1) = 1. My response was what I then called
Tunja Sequences (Mason 1999, 2001) which used the same principle of a
developing sequence of specific instances of a factored quadratic such
as
Here learners could be expected to detect patterns and to express them
in general, verbally, and even algebraically. By being exposed to
a number of such sequences derived from factored quadratics, learners
could be expected to become adept at expressing and justifying
generality (the heart, root and purpose of algebra). Having
generalised, they can work out the rules for expanding brackets, and
for factoring quadratics, simply by using their natural powers to
detect what is changing and what is invariant.
Recently, while writing a book on the teaching of algebra (Mason et al
2005) I wanted to extend these Tunja sequences to allow a second
parameter to vary, and thus was born Structural Variation Grids.
Tom Button kindly provided me with a basic Flash template which I then
modified to produce different Grids, some of which are described in the
next section.
Using these grids briefly with teachers has already generated
considerable excitement, and this is what has encouraged me to present
them in this forum. I am confident that many of you will have
done or used something similar at various times. The reason for
presenting them here is to exhibit them as an exemplar of a pedagogic
framework for learning.